2. Camera scanning (negatives), spectral lighting testing, Dynamic range tests
  3. Camera scanning negatives and slides

1 - Fuji 200 - Canon Sure Shot

Demonstration of "camera scanning." A Canon 60D + 60mm lens + Photosolve Xtend-a-Slide was used to photograph a Fuji 200 negative. Adobe Camera Raw and Adobe PhotoShop CS6 was used to do the color conversion.

Some images (see comments) were converted using a custom DNG profile (that were edited with the Adobe DNG Profile Editor.)
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Fuiji 200 - Canon SureShot. Used stock DNG profile. Note that leaves on the trees are mostly yellow. There was no way to separate the leaf colors in post processing (by hue shifting), because they are already the same hue of yellow.
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Fuiji 200 - Canon SureShot. Used stock DNG profile. Note that leaves on the trees are mostly yellow. There was no way to separate the leaf colors in post processing (by hue shifting), because they are already the same hue of yellow.

  • Fuiji 200 - Canon SureShot
  • Fuiji 200 - Canon SureShot. Stock DNG profile. The barn has a slight color cast.
  • Fuiji 200 - Canon SureShot. Used modified DNG profile to eliminate color cast on the gray barn
  • Fuiji 200 - Canon SureShot
  • Fuiji 200 - Canon SureShot
  • Fuiji 200 - Canon SureShot. Used modified DNG profile to make reds, greens, and yellows be more accurate.
  • Fuiji 200 - Canon SureShot. Used modified DNG profile to make reds, greens, and yellows be more accurate.
  • Fuiji 200 - Canon SureShot. Used modified DNG profile to make reds, greens, and yellows be more accurate.
  • Fuiji 200 - Canon SureShot. Used stock DNG profile. Note that leaves on the trees are mostly yellow. There was no way to separate the leaf colors in post processing (by hue shifting), because they are already the same hue of yellow.
  • Fuiji 200 - Canon SureShot. Used modified DNG profile to separate reds, greens, and yellows on the leaves on the trees.
  • Fuiji 200 - Canon SureShot. Two tricky colors are orange and yellow on the upper panel. The orange keeps wanting be yellow, like the third patch. <br /> <br /> But expecting film to be absoutly color accurate is a stretch anyway.
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